American Psycho by Bret Easton Ellis

This is the second time I have read America Psycho, and I still love this book. The book follows the delusional life of Patrick Bateman. Someone who is supposed to have everything and yet is entirely bored and unsatisfied. I will admit that a lot of this book can and does come across as dull and repetitive. There is a never-ending string of lunches, dinners, the guys drinking at the clubs, doing lots of coke (and I don’t mean the soda), and the obsession with how much their clothing cost and who is wearing what.
First and foremost, this book is written as a satire by an unreliable narrator. Patrick Bateman comes across as knowing everything. He works in a high paying job, and he discusses down to the detail what he has and why. Everyone around him is very superficial from their clothes to the places they go to dinner. The business card scene, I think is the best example of this. Bateman and his friends are sitting around the table discussing woman and drinking. Bateman pulls out his card and the others do the same. They can’t be outdone by each other over a business card. The scene ends with, “I’m still tranced out on Montgomery’s card—the classy coloring, the thickness, the lettering, and the print—and I suddenly raise a fist to strike out at Craig and scream…,” (Ellis 46). Bateman gets upset over a little insignificant piece of paper. The movie does a great job with this scene.
There is a chapter titled End of the 1980s. Here we see Bateman sitting trying to get through another lunch this time with his assistant Jane. As he sits there, he starts to almost reflect on who he is and his life. There is a line that I think sums up his perception of the world, “Reflection is useless, the word is senseless. Evil is its only performance. God is not alive. Love cannot be trusted. Surface, surface, surface was that anyone found meaning in…this was a civilization as I saw it colossal and jagged…” (375). His internal thoughts show that everything he sees and does is superficial and meaningless. Not even love is something he can trust or find faith in. It is all fake to him as is the world he lives in.
I think Bateman works as an unreliable narrator. If this was told by someone who was technically sane, I do not feel it would have pulled me into the story. I would have lost interest and put the book down. He spirals out of control as the story progresses and we see that he is not to be trusted with anything he says. This ties into the idea that the book is really about hell. The opening line in the book is from Dante’s Inferno, “Abandon all hope ye who enters here is scrawled in blood red lettering on the side of the Chemical Bank…,” (3). As we walk into the story, we are taking a trip through hell through the mind of Bateman. This is where I think the book works with all its never-ending repetitive scenes. Even the murder scenes are repetitive imaginations from Bateman’s mind. He keeps reliving them and adding more gruesome ways to murder these people in his head.
Ellis did a great job with this idea that we make our own hell. Bateman could have at any time gotten helped with his issues, but he chose to stay stuck in a rut to keep up appearances. He can’t be viewed as less or different for the others within his inner circle. The book begins and ends with Bateman at yet another lunch with his friends that he cannot escape from. The story fittingly ends with, “above one of the doors covered by red velvet drapes…on the sign, the letters that match the drapes color are the words THIS IS NOT AN EXIT.” Everything begins and ends in blood.

Psycho by Robert Bloch

I remember watching Alfred Hitchcock’s 1959 film Psycho and wondering where he came up with an idea for such a disturbing tale. Little did I know that the movie was actually based on the book by Robert Bloch. For those who have not read it. Psycho follows the extreme mental breakdown of Norman Bates who runs a motel with his verbally abusive mother on a stretch of road that people no longer travel on. He happens to meet Mary Crane an overworked, unappreciated secretary who has just stolen a large sum of money. Norman is unaware of this, but his attraction to Mary is the catalyst for this horrific tale.
It was interesting that the story starts out with much exposition as to why Mary Crane is on the run when she is somewhat of a minor character. As the story unfolds, we are given justifications as to why she did it. She was undervalued at her job both by her boss and his clients. Her boss was cheap but also money hungry. Mary tells us that a client offered her one hundred dollars for a weekend with her. Today something like that would not be tolerated, but if she had spoken up, then she probably would have lost her job. I felt all this explaining what she did after the fact to be boring. There were some intriguing parts to this, but I think it would have been better if Block had just started with Mary dealing with her boss and then decided at the last minute to leave. It was a somewhat ill-planned theft.
The thing that caught my attention the most was that both Mary Crane and Norman Bates were lying to themselves. Mary thinks she can get away with the money. Then convince her boyfriend that she came into the money by way of a family member passing. Mary even tries to be smart about it hiding her tracks by ditching her current car for something else and using false names. She created a very large paper trail and made it easy for anyone to track her down.
Norman Bates, on the other hand, lies to himself to justify his actions. We never see what his mother looks like but as people come to the hotel they talk about seeing a figure in the window. Norman quickly tells the tale that his mother is very ill, and he is her sole provider. The isolation caused by his mother’s verbal abuse and overall social isolation fuels his hatred towards women or anyone he deems to be a liar. The lies keep mounting as the story progress but to Norman they are real. They are the truth and no one should dare question him.
Bloch plays on this emotion when Norman invites Mary up to the house for a bite to eat. Norman is attracted to Mary, and he tries to connect with her. Unfortunately, Norman cannot form a relationship with Mary. There is a disconnect because he relationship with his mother always gets in the way. I think this garner some more sympathy for Norman. Mary happens to overhear a conversation with Norman and his mother, and it’s all down here from there once she recommends that Norman’s mother be put in a home. The fact that Norman and his mother are on in the same causes a knee-jerk reaction in Norman. He can’t stand his mother, yet he can’t lose her either. He loses his temper, and we see more signs of his other side creeping out. This was a beneficial way to show just how delusional Norman was. He gets visibly angry at Mary’s words and when he sees that he has frightened her he backs down.
The shower scene was a crucial part of the story. Here we have Norman spying on Mary because he could tell she was lying to him. However, he is also attracted to her. This is where his hatred for women is driven home. Bloch uses this moment to show just how intertwined Norman and his mother are and I found this to be very effective. Norman is disgusted with himself for watching but is it really Norman or more of his mother taking over his mind. Bloch causes us to question who is really in control. As long as Norman is calm and relatively happy he is himself but if anything should upset him or something he believes his mother would disapprove of, the other personality tries to take over and protect Norman. After “Mother” kills Mary, we see Norman react in horror at the carnage. The woman he was fantasying about while she showered is slashed multiple times.
I wish Bloch would have gone into more detail with the murder scene. It happens very much off, and we only get glimpses through Norman. I did find that it was weird how Norman describes his mother charging in and he seemed to be somewhat removed from the situation. It was like Norman wasn’t even inside his own body let alone his own head.
Even with the slow start, I enjoyed reading this book. The way Bloch used Norman’s character to draw the reader into the story was very well done, and we can forgive him leaving out specific details.